Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
《熊出没重返地球》主题丰富，有科技发展破坏地球啊，浑身是缺点的熊二怎么突破自己的局限当了英雄，反派女的童年阴影被爱稀释，外星猫的虫洞寻亲，桥段多，玛丽莲梦露裙摆被吹起，黑豹的造型，蜘蛛侠丝状铁武器，笑点也多……大人也能看。里面高科技部分很赞，飞行器有想象力，天火的造型设计有科技感和美感。看完都想拥有天火的手办。
三星半。画面挺好看，大场面特效都不错，3D效果时好时坏（也可能是影院的原因），剧情实在是太粗糙了。。。
这部还有一个点（算剧透）：他们要点亮一座可以向外太空发送信号的塔，我心说，千万别点啊！！！点了下一部就是《三体》了！！！！！！！！！！！
5分 带侄女去的 第一次看这个ip 还可以吧能看下去 但是还是缺了一些创意和审美
制作很用心，是良心片，希望熊出没能保持水准
没想到居然有在电影院看熊出没的一天。是一部结构完整节奏紧凑的爆米花电影，所以是好看的。但是瑜难遮暇，诸如致敬（借鉴）了多部科幻、动画电影啊，让人笑不出来的低俗搞笑桥段啊，刻意对剧情和人物低龄化、去严肃化的塑造啊，以及各种对于性别令人不适的段落。
不得不说，动画片拍成科幻真容易，随便搭框架
10点半的4D动感影厅，孩子很喜欢。希望熊出没越来越好。
奖励看了一年熊出没动画的小朋友们一部大电影。
好萊塢商業片風格和國內俗套情節的融合。少整點煽情情節，國產片總是能煽得一塌糊塗。
今天下午陪小神兽们一起看《熊出没 重返地球》，却深感失望。虽然3D动画效果已和世界接轨，软性水平还差太多。
陪外甥女看的，
要素过多。我觉得《熊出没》系列的正确做法是用土味审美重建经典故事，比方说，要是一定想要歌舞，直接用东北大秧歌不好吗？
友情，热血，感人等贺岁片需要的财富密码都具备了，但是论剧情和故事结构跟雪岭雄风又有何太大区别？无非就是换了一个boss和一个帮助的二号主角罢了，阿布某些造型确实借鉴了穿靴子的猫，作为一个主要面向孩子的动画，刚开始阿布在房间里的出场我很怕把我家6岁小孩吓着，活脱脱的恐怖片出场桥段啊，另外，为啥非要弄成3D？虽然我是用券换的，也真觉得这样的动画电影没必要3D
没想到居然有在电影院看熊出没的一天。是一部结构完整节奏紧凑的爆米花电影，所以是好看的。但是瑜难遮暇，诸如致敬（借鉴）了多部科幻、动画电影啊，让人笑不出来的低俗搞笑桥段啊，刻意对剧情和人物低龄化、去严肃化的塑造啊，以及各种对于性别令人不适的段落。
7片尾彩蛋开放式结局（不按熊出没大电影标准结局常规出牌）
5特效炸裂
过了春节档随机Roll到“4D放映厅”得到加持的观影爽感。
过年第二部。熊出没每年稳稳基本盘不是没有道理的，成人看着也很有意思，故事完整，特效给力，超过太多国产动画了。熊大熊二加入刺杀小说家宇宙。故事完整，特效能7分。
而且变成特效大片，已经几乎没有人情味了，跟熊出没一贯的风格还是越来越背道而驰的。而且几乎是完全套路化的大片剧情设计。
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