Umberto Lenzi is undoubtedly the king of Italian crime movies, but unfortunately; Syndicate Sadists is not the best examples of his work in this genre. Lenzi's crime flicks tend to be a cut above the rest because he makes films based on stories with a point, and they don't lack direction; but this film feels a bit too wayward to fully fit with the rest of his stuff. The film takes obvious influence from Sergio Leone's landmark western 'A Fistful of Dollars' (which in turn, took influence from Akira Kurosawa's landmark samurai flick Yojimbo), in that it features two warring families and a strong character at the centre. The crime that Lenzi focuses on is kidnapping, and we centre on a character called 'Rambo'. Rambo is dragged into the war between the two families after his brother is killed because of it. Rambo uses his brains and brawn to pit the two families against one another, in the hope of gaining revenge for his brother's death, rescuing a young boy that they've kidnapped, and ultimately letting the two sides destroy one another.
The film's biggest asset is undoubtedly Tomas Milian. Milian was put to great use by Lenzi in almost all of his crime thrillers. The range of characters he has played for Lenzi is immense, and this one is easily one of the coolest. The character is called Rambo, which immediately sprang to mind the popular Sylvester Stallone character - but for once, the Italians actually haven't stolen this name as Syndicate Sadists was released first! As usual, the film is wickedly entertaining, as we get to watch Milian get himself involved in the usual array of car chases, shootouts and brawls. Lenzi has got him riding a motorbike this time round, and every scene featuring it and Milian is a real standout! However, the film often feels like it doesn't really have anywhere to go, and this means that the running time is stretched out more than it should be. Compared to the crime films of other Italian directors, Syndicate Sadists is more than above average; but in relation to Lenzi crime flicks such as Almost Human and The Cynic, The Rat and The Fist - it doesn't stand tall as one of Lenzi's best. Still, if you're looking for ninety minutes of testosterone fuelled mayhem - Syndicate Sadists will suffice!
总体还行，但是不论动作场面还是古迹解谜都不如游戏给人震撼。都说《神秘海域》系列是好莱坞大片即视感，其实游戏比好莱坞大片爽多了。
剪辑略崩 挺娱乐的 荷兰弟走打星路线有望 / 马克沃尔伯格的片酬真好挣 全程几乎无高质量的动作戏..
前面110分钟的故事，赶不上片尾Crew字幕刚出来的那首游戏系列主题曲，给我带来的感动。Uncharted 4部曲，满满的回忆。
现代寻宝题材，情节紧凑刺激，不过反派塑造不到位，加上巧合太多，令两位主角的冒险显得太过轻易。部分情节致敬《夺宝奇兵》和《加勒比海盗》等经典类型片，演员亲身上阵的动作戏更浮现出怀旧的味道，也是在乏善可陈的好莱坞套路里为数不多的亮点。
其实还不错吧。化用原作四部剧情作原创，高空失重戏印象中就算是这种“夺宝探险电影”都很少见的部分（就也会想起原作划时代的大量坍塌动画），看到藏宝船的时候真的情绪有被带动到。但让人神伤的是，选荷兰弟来演德雷克真的太、太、太、太、太不合适了，观影前跟友人聊到，友人还说“至少他像德雷克青年期”，但就是让人有种没办法划上等号的感觉，和安东尼奥·班德拉斯合作也会让人想起他之前著名的不知道阿莫多瓦是谁的典故，就会有种——“如果不是他就好了”——的感觉，但确实目前美国当红小生就那几个，可能真的就他比较适合这种有大量动作戏份的主题公园电影吧……就会想到成龙李连杰甄子丹，当代动作小生确实狠稀缺了（什么联想）。不过也可能确实算是在听到选角是他剧烈失望之后，才会对这片萌生一种“也确实还行”的感觉。3.5归4。
哎怎么说呢，没玩过游戏，但故事真心一般，荷兰弟演技真心水。要不是蜘蛛侠身份加持，连帅气都欠奉（凸嘴太严重了）。打斗一看就是威亚+绿幕，花拳绣腿的。热闹是热闹，但一来俗套，二来经不起推敲，那。。。就看个热闹得了～安东尼奥·班德拉斯老脱相了，而且死得毫无价值。最傻还学漫威片尾加彩蛋！
比之夺宝奇兵，娱乐性差了很多，马克因为变形金刚已经渣名远扬，还要附带一个荷兰弟，后者如果不戴上蜘蛛侠的面具，僵硬笨拙的本质就暴露无遗，他的肌肉块无疑加重了这一点，留给女主表现的机会当然不会更多，也难怪这是寻宝片，谁跟谁都扯不上关联。
两星半吧。现代版飞翔的加勒比海盗。为什么全片Tom Holland居然是最后有演技的一个！everyone has the emotional range of a pickle 明明只有两个小时，还以为三个小时那么长。就流水账似的叙事就完了。一看，screenplay果然是Rafe Judkins。拜托能不能不要再让他糟蹋IP了我谢谢你啊！
已经对任何动作片都无动于衷了，为汤荷兰打个四星
我个人非常喜欢神海这个IP，最高难度通关4部曲➕一部外传了，也算是个小粉丝。
作为游戏粉自带滤镜怎么看都顺眼，在原创和改编之间找到了平衡点，游戏元素融洽地布满全片同时又对普通观众友好，把自己定位成无脑爆米花电影的同时，比较其它同类游戏改编作品的优势在于四部游戏原作有适合电影改编/参考的丰富素材库，比如片中最后那场“飞船戏”完全符合游戏原作夸张又刺激的动作戏气质。当Nate穿起那件枪套背心响起原作旋律时我还是相当不争气的泪目了（想看第二部（为什么荷兰弟和沃尔伯格站一起有种twink & daddy即视感…
疫情期间看的，当整体期望不高的时候，意外地看的很开心，合格的爆米花电影。加1星是疫情期间带给我的快乐。
抱着烂片打发时间的心态去看的 竟然超预期了 总之看得非常快乐以及看完想接着读100本凡尔纳！最后 只有我心疼麦哲伦那两艘船吗！！！2022/3/29@星维
虽然班德拉斯也在类似敢死队系列这样的片子里也客串过一些奇怪的角色，但是在这个片子里演了这么个角色还是挺难让人接受的。
不知道有没有二，希望不要腰斩，其实比较辛苦长胡子的内森
就是非常俗套的那种探险片，你基本能猜到所有的剧情走向，人物都是为过关解谜服务的，可是整个探险旅程实在太顺拐，完全没有惊喜。7
迟到了25min不过应该没错过啥，不过前半段一直在地上解密，让我不由地想吐槽“海域呢……”总之整体观感作为一部爆米花爽片而言是合格了。荷兰弟好可爱喔www就是好想大喊“我那么多的金子啊啊啊啊啊啊”🥺🥺🥺
寻宝类电影实在是难以拍出什么新花样了，各种机关各种反转都平平无奇。
——2022.05.25
电影一般，情怀满分
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