To the south of the Indian metropolis of Surat in Gujarat province lies a vast industrial zone that has been growing ever since the 1960s. Director Rahul Jain filmed the grueling daily routine in just one of the many textile factories there. In the factory, man and machine seem to have fused into one being. It is dark and dank, and barely any daylight penetrates the space. The labor is heavy and mind-numbing, and the work days seem endless. We are drawn into a gloomy world where the cacophonous beat of machinery sets the rhythm of toil. Jain is as interested in the mysterious connection between worker and product (the fabrics are treated mechanically, but also with love) as he is in the degrading conditions. Each shift lasts 12 hours, for adults and children alike, and wages are extremely low. Short interviews are interspersed throughout the observational sequences, some of which are captivating in their beauty while others are painful to watch – such as when we see a boy nodding violently in his struggle to stay awake. (From IDFA official website)
原来是讲比利小子的，但我根本不知道有这么一号人😂儿子这角色有点讨嫌…
西部片，一个深藏功与名隐身西部农场前江湖杀手的故事。剧情不紧凑，前面有些散漫，许多对话亦不精彩。后面枪战戏不错，比较干脆利落。故事中儿子的设置没必要，反而拖累剧情。
仿佛在玩荒野大镖客，这枪，这房屋，这服装，这马匹，都那么熟悉，屋子里面没有灯，昏昏暗暗的，却又那么有人情味
威震江湖激流勇退 恶匪临门重现神威 两位黄金配角奉献返璞归真西部片
西部传奇“比利小子”的另一个版本，典型的西部套路。
再现了克林特伊斯特伍德的西部时代 整片可称为西部片中的《老枪》
billy！the kid！上一次听到这个名字还是美国的一个纪录片里
很适合沉浸观看的老派西部片，没想到是比利小子的梗。前面老亨利开挂，后面中那几枪，包括最后被暗算是败笔。
Who I am ? I am nobody.
比利小子的意淫后传 给传奇人物想了个美好结局
近些年西部片越来越少了，差点被豆瓣评分给失误了。值得看，节奏ok，配乐到位！
后现代西部片，细腻、苍凉。比利小子依然神一般存在。
看了“比利小子”的历史后顿觉本片又精彩了几分，特别是老演员和真实的“比利小子”的脸型非常相似，但是又是一张非常丧的老农民的脸，这使他最后决战时的英姿显得尤为帅气。舞剑之人必死于剑下，在江湖上混早晚都是要还的，片中的那对渊源在我看来实在是一个十分浪漫的宿命安排。
难得当下可以看到这么正统得西部片！没有话痨，没有黑人，画面充满质感。
影片中出现的通缉令上的照片也是史上流传下来据说是Billy the Kid的唯一照片。
当年的牛仔不找掩体么？还有不要相信陌生人。
开枪之后，一切都无法挽回
比利小子一张照片就值天价，最后的枪战，可以的
余太太听我一句
5分撑死。哪值7.2？
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