Following the success of their feature debut Jennifer’s Shadow (2004) – an exercise in American Gothic set in a scary land called Argentina – Pablo Parés and Daniel de la Vega worked for a US company on a post-mega-disaster wasteland zombie film in which South America had been turned into an all-purpose, all-materials junkyard, with the undead as the last humane entities around (forget about the humans here!).
The project never materialised, but Diego Parés, Pablo’s brother, started to write and draw a comic series based on the screenplay – which so far remains a ruin, as only parts were finished and published. The ECish beauty and balls of Diego P.’s labour of love have now been congenially transformed by the directorial duo into a delightfully old-(1970s)school low-budget production, closer to Romero and Dante than Fulci and Lenzi. And the IFFR audience is in for the treat of treats: they get to see the film and can also enjoy the unfinished comic in an exhibition.
《暴走大事件》的黑法,每年的热点事件,照这个形式下去,能拍到《2025》。★★★
目瞪口呆 我是土狗我爱看 这很种田文 xs
剧情真的不太好。现实生活没有这样的男生。!!!要是真的有那就快跑。
创作者自以为很好笑,但其实挺尴尬的,不过,挺敢说。
先说观后感吧..片长两个多小时,整体感觉很唯美,把爱情里的宽容和真正爱一个人就是为对方义无反顾体现的淋漓尽致.可以说是超脱了世俗大多数的爱情,但看完以后会觉得人间也会有这样的爱同样也会有这样的痛吧.包含了很多因素,背弃背叛伤害信任重拾信仰以及兼爱他人..女主可能身体脏了,灵魂也是破碎的,但在最后都圆满了,我不懂评分为什么可以这么低,至少可以打四星半,另外的半颗星给我自己对这部片子的喜爱吧,好久没看到这么出色的爱情片了.
用许巍的一句歌词形容或许很合适: “你的爱如此拥抱我,融化心里的冰雪。”
We end this year as we began it 年番了
虽然阿富汗在运动会上没有拿金牌
如果是作为福音电影,那么“救赎”的重点并不十分突出;作为爱情电影,前面拖沓结局仓促。插曲好听。
Lauren Daigle的《Look Up Child》专辑中这首《Rescue》
借着影片看见上帝的爱。
没有什么事是不可能的
女主,前半生在地狱,后半生在天堂,被结局感动落泪,所以四星给结局。
不喜欢这样故事的内核:真实生活中真的会有人来拯救你吗,扪心自问。披着外皮的玛丽苏小说罢了。除了毒害女孩从小到大的思想没有别的好处。
你有她那样的运气能遇见一位圣母,去营救你苦海抽身、早悟兰因🐴
宗教味道真的浓,同样的情节,中外拍出来,主题不同
2021吐槽,虽然也是挺无聊的,但还是比《不要抬头》好看百倍。
有如此心胸豁达又专一且高颜值的男主只有在玛丽苏剧里才有吧,迈克尔,你是来普度众生的。蹭个淘金热历史背景拔高了深度,其实没半点关系。给配乐点赞,奥斯汀系列也能用。
但还是给8分,谁让我是JDT呢哈哈哈
Influencer真的演得太像了超级cringy
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