James Benning’s first film called The United States of America was a 1975 trip across the country, capturing its scenery through a car windshield. This second one also crisscrosses the nation, but without a car, carving it up instead into a series of static shots of just under two minutes, one for each state, presented alphabetically, from Heron Bay, Alabama to Kelly, Wyoming. The names of the places are nondescript, but the images attached to them are anything but, immaculately composed shots of landscape, cityscape and the spaces in between. As we move from A to Z, the images coalesce into a portrait of today’s USA, tracing out its fault lines almost in passing: fenced-off facilities, a river bed running dry, factories and refineries, run-down streets and gas stations, a camp under a bridge. The past is there too, seeping up through the songs and speeches that sporadically pierce the background noise or the motifs that evoke a whole career; the clouds, trains and cabins are stand-ins for films, not just states. As always, there’s time for more abstract thoughts too: each image may stand for a state, but representativity is slippery. Which state is more cinematic than the rest?
大家追求的都是幸福 就算没在一起有何如呢 大团圆结局 美好的结局是能拥抱幸福 感情中 应坦诚 出轨x👎👿👹👺 零容忍
哈哈哈哈又搞笑又有點溫馨,狗血但是不算俗套。家庭和感情有千千萬萬種形式,人是紐帶把彼此和所有聯繫起來。
有点无语住了。有1点真的让人难以接受。出轨就是垃圾,还想得到别人重视。受害者有罪论一堆不见出轨人有任何代价,搞得好像被出轨的没付出过一样。不合适了不爱了可以谈,可以分离,出轨算什么东西!??什么奇葩强行HE
探索家庭多种多样的形式,有点搞笑,有点感动
开始看觉得是个有趣的故事…但后半部分电影回避了很多关键问题
家庭的基础是爱,而非血缘。
我的天 好久没看到这么难看的电影了 糟蹋了这么好的题材
没看前以为是部纪录片,看了几分钟后:这也太电影了吧?哈哈哈哈哈。
透过青春期儿子的视角,
家庭的基础是爱,而非血缘。
呃,又一个“养大于生”的家庭伦理喜剧,换了个同性的壳而已。
青春和家庭加上同性之爱,出现了各种的问题,还是离不开青春片和家庭片的范畴!
有挺高的期待的,但是看完之后觉得很一般。从家庭的角度去挖掘同性的故事确实是一个新的尝试,但是成品质量就很差了。好在,好在,最后两个爸爸没有俗套的和好。
青少年组表现出色,Z世代初识愁滋味。中年夫夫组过于抓马和狼狈,看不出相爱20年的痕迹,还好最后确实离婚了。
当我们和医院前台一样的想法时,我们就需要反思了。
为什么几乎所有(我看过的)欧美青春片,全都要吸毒!!聊天的内容也永远是吸毒吸毒,不吸毒不青春?!!
很呆梨,很drama,结局好评,当爱消失了,就应该分卡,勉强在一起而早已没有爱的夫妻还是夫夫,都不能给孩子一个很好的环境和榜样。呆梨的演员颜值就是高呀!!
已经不再将平权当作议题 如健听女孩一般的生活气息电影
主角们颜值都很高,剧本写的也很精彩,不停的惊喜和反转。
抓马buff拉满...就是父亲们20年的结局让人唏嘘...
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