Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
类似鸡皮疙瘩系列故事，角色都很天真，作为儿童片算是合格啦。
我看片子不到5分钟就知道这不是恐怖片或者惊悚片了，就是一部儿童级别的魔幻片，而且只适合12岁以下儿童观看，反正我是陪我五年级的小儿子看的，全片没有恐怖或者惊悚氛围，倒是魔幻色彩比较重，不管是魔幻生物还是植物，亦或是魔法，都说明这就是一部儿童级别的魔幻片。我给3星5.5分，删掉了！
虽然现在封建迷信仍然存在，麻木不仁的人也不是没有，但真的感谢革命先辈们，让我能诞生在这个和平年代，这个现代得多也开明得多的时代，但愿自己也能做个革命者，保持坚定探索真相的脚步，不畏惧强权不害怕未知，努力让自己让世界变得更好！
移民问题。20米高的房子爆炸了，愣是没搞死一个人，不得不说，主角光环强大到无敌。
带着娃睡觉前一起看的，以为他会直接睡着，结果越看越清醒，很容易进行联动教育（大误哈哈哈）。就是娃看不懂字幕听不懂对白，一直让我同声翻译，观影感受有点累😓
刚看完，在恐怖片里还算是不错的，到最后水猴子救孩子那里很感人。
不错的电影，对于国产电影来说真的惊到了，前面有点恐怖结尾挺感人的
这种儿童向的恐怖片真的为难我了，奇幻冒险都有，但就是不感兴趣，故事挺完整的，女巫第一幕出现的镜头有点像杨幂哈哈。
小成本制作的电影， 演员太不自然，布景粗糙，一看就是假树假花，甚至都不像是外景拍摄的
很喜欢女主演王真儿的表演，坚毅的气质都有很好的诠释，又美又飒！
法国的新纳粹要是这么有胆，还至于投降的那么快？片中对种族歧视的描绘还挺淋漓的，有一些笑点不错
各种标签…以及太冗长了…唯一高光部分是开着悍马在抄近路追逐那一段…
就爱看女生这种勾心斗角明争暗斗的片，还是这么好看的两位女生，还是舞蹈相关，就是主体思想导演想表达什么，放弃，自由，心灵得到释放嘛。
世上有许许多多看似“怪异”的人，可他们也是人，也有一颗有温度的心，还望我们放下偏见，善待他们。也许你会说我咋想这么多，我无话可说，这就是我的感受吧。
同性标签真的好牵强...
很喜欢女主演王真儿的表演，坚毅的气质都有很好的诠释，又美又飒！
3.5 分 （私心为主演加了0.5分）。主演两人在巩固人设上还是挺得心用手的，尤其是负责加各种喜剧情节的Laurent Lafitte，这个角色的细节处理特别到位，风流不下流、有自知之明但是不会放弃自我、日常胆小但是关键时刻也能靠得住的混吃官二代。探案的主线当然是一眼看穿，但是文戏武戏交叉之间节奏飞快，尤其是几个大场面的动作戏设计得不亚于好莱坞水准！全靠网飞大手笔花钱。
所为国产恐怖片来说，挺不错的。最后挺让人感动的，给人整哭了。
二人搭档挺有意思的，虽然不搞笑，形势不错，案件内容也是一开始以为就普通贩毒杀人案，没想到小地方隐藏的恐怖主义，随后国家宣传片拍得不错。
虽然是儿童冒险片，但Ritter绝美，一直觉得她很适合各种艺术妆容，这可满足我了，之前总看她演各种爱情片类型，以后仍可挑战这种路线。
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