Ten years ago, Ginny (Toni Gonzaga), an Architecture student, and Marco (Piolo Pascual), a History professor, began a one-of-a-kind and unpredictable love story. In the five years that they were together, they brought out the best in each other, which included Marco's unrealized dream of becoming a chef. Together, they worked towards their dream of opening up a restaurant, but when Ginny realized her own pursuits were different from his, she rejected his wedding proposal and left the country for a Masters degree in Architecture. At present, Ginny co-owns a one-stop Architecture and Interior Design firm specializing in Restoration. She receives an email from Marco, which was written and sent after their break-up, meant to be read four years later. It makes her feel even more regretful of leaving the love of her life. When their firm receives an offer to restore an old house into a restaurant, she is ecstatic to learn that Marco will be co-owning the restaurant. She takes this as a sign...
一黑一白两个身影穿行在草丛中的那一刻，突然就落泪了，莫名的感动
せんせ会思考把她送回去到底是不是真的为她好，没有一意孤行，太好了。
全方位碾压最近前面几部漫威电影！漫威不搞旺达现在就不会拍电影了！光照会部分结束的潦草程度真的震惊我！
最后想多提一句那两个小朋友，太可爱了。我永远喜欢青梅竹马。
太无聊了，疫情造成的隔离作为一个大前提，没有做任何深挖，呼唤爱与真善美，可惜都不走心，喊喊得了
疫情电影里目前看到的最强作，代入了各种元素和人类的各种心态。借用葫芦岛著名思想家六的一句话，世界上不分啥好人坏人，对咱好的就是好人（大概是这么说的
....谢邀没看懂...是不是和漫画不一样.....而且为什么人被诅咒就变树了 因为他们没有灵魂但是老师有灵魂吗 最后是老师要用自己的灵魂救希瓦但是希瓦拒绝了的意思吗
是不是有句台词 说可恶的中国人吃了蝙蝠导致疫情的爆发？
疫情下的一群浩呆, 格局小到簡直就是bottle episode, 劇本精妙之處就是每個人都讓人想呼他一巴掌, 但溫情反轉還是挺喜歡的畢竟在這個境況還是要多點愛
旺达又美又飒，个人觉得她比黑寡妇更有魅力。顺便吐槽一下这个多元宇宙的光照会也太弱鸡了
不求与人相比，但求超越自己，要哭就哭出激动的泪水，要笑就笑出成长的性格！
喜欢不一样的漫威片 一直以为女巫要和别的宇宙的自己打一架 结果并没有
不得不佩服法国人的浪漫、幽默和娱乐，让烦人的新冠和抗疫变得这样温情和喜感。不同的视角，不同的体会，不同的收获。我们习惯了宏大叙事，其实换成这样的角度，效果更好，因为更贴近个体。微就是伟，小就是大。#童行健谈#
画风很好看很治愈，但是小孩能下水那么久不被淹死也是牛逼
但是剧情上面稍微有些硬的部分 还好不至于破坏整个架构的协调
c19隔离下的众生下，真是把人逼疯了。真实而又诙谐的法式幽默
又乱又闹…过度防疫的，不做防疫的，当它不存在的…隔离期间的种种乱象，确实挺像那么回事
“我好累，好想回到以前。”“我也是，亲爱的，做梦都想。”qwq
笑中带泪，好温馨的一部电影，喜欢，疫情反而拉进了邻里之间的距离
能感受到动画这一载体质朴魅力的作品，故事的维度反而是其次的了。
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