A most pleasingly atmospheric rendition of the tale, noirishly photographed and moodily set, this is the version which probably would have delighted Conan Doyle the most. There is one important plot change which enables the beautiful Alice Brandt to enjoy both a larger role and a more intriguing part in the proceedings. This change also builds up the parts of Dr Mortimer and Lord Charles, yet at the same time provides a nice introduction to the is-he-sinister or is-he-a-good-guy Barrymore, deftly played here by Fritz Rasp.
Despite the sting of its well-developed story, the spellbindingly atmospheric direction and the engrossing performances delivered by the entire cast, many fans may find this version somewhat disappointing. For at least three reasons: As in the novel, the part played in the narrative by Sherlock Holmes, though vital, is minimal. And in this version, not only has no attempt been made to enlarge his role, if anything both writer and director do their best to minimize it. Holmes does not even make his entrance for half-an-hour, and when he does finally appear, he has his back to the camera. It is Fritz Odemar, as Dr Watson, who receives the more favorable camera angles. And there is a purpose in this. It is Watson, not Holmes, who figures as the main protagonist of The Hound of the Baskervilles. For the bulk of the narrative, Holmes disappears. It is Watson and Lord Henry (Peter Voss) who take up the running. The movie is almost over, before Holmes closes in on the villain. And even so, this is not the obsessed, self-important Holmes we are accustomed to see taking charge. Another problem is that the title hound itself does not figure a great deal in the action, a downgrading which will undoubtedly rate as another major disappointment for fans. And finally, it could be argued that the script gives too much attention to Conan Doyle's red herring, the escaped convict, and not enough to the real villain.
This said, it must surely be admitted by all, that Odemar's interpretation of Watson—intelligent, charming, level-headed, courageous and resourceful—is much closer to Conan Doyle's conception than either the bungling, inveterately stupid Nigel Bruce or the self-effacing Ian Fleming.
One other player deserves special mention: Erich Ponto (Dr Winkel in The Third Man) who seems exactly right for Stapleton. A difficult part, superbly played.
- JohnHowardReid, imdb
不要买来路不明的二手房，不要买太便宜的房子！
剧情太水了。。多了个yaz的线还是蛮怪的。。
删除养老院和霸王龙小分队的故事线，完全就是三集动画剧情搬到到大荧幕上，虽说是子供向作品，但是制作组真是有够会偷懒的！小美和刷子的配音也换了，失去了我童年的味道
Doctor这个渣男……不是……渣女又要让一个姑娘伤心了，横！
咧开的嘴角全程就没放下来过，后面二十分钟一边笑一边哭，图图是我心里永远的柔软。（如果你喜欢这部电影，不要囿于“国产儿童向动画片”的标签，勇敢地给出五星吧！
小十和十一以后的博士都有点看不咋进去，不知道为什么，感觉剧情也没吸引到我
片子本身还行，三颗星。配乐加一颗。最后处理的感觉像是现编的。想一出是一出。本来引入倒计时和数学方程式挺有意思，想着结尾怎么着也得是用魔法打败魔法（篡改方程式什么的）。结果羊脸直接上来抓人。一家子全落里边了。演技挺在线。
怎么说 我对胡图图爱到能说出 以前的饭好 所以炒冷饭也香 这样双标的话来 但炒得太彻底了吧 以篇幅来看 基本就算是没新内容 我真的很期待来着 所以为什么不能好好做点新的内容呢
但是导演把之前剧集里的内容搬到影院骗钱，差评！
感觉张小丽越来越好看了 以前也没觉得大龙二龙腿这么长 而且这电影不知道为什么人物腿部的动作那么多啊 大人小孩都晃来晃去的 第一次图图晃觉得可爱 后来所有人都动次数一多就觉得有点像卖萌了 还有！胡英俊和张奶奶说话的时候 为什么要翘着二郎腿还晃荡着啊 这礼貌么
像tv合集版。不过后面真的情怀和主题都到位了
和朋友一起去看图图，还定制了专属的纪念语。还是蛮欢乐的。牛爷爷特辑的剧场版，我还是很喜欢牛爷爷的。牛爷爷的配音也是原来的，山东话甚得我心。好多桥段几乎完全复刻动画版，尤其是开头牛爷爷出场的若干桥段；但是引起了很多童年回忆，还是蛮开心的，比如三种口味的汽水，比如捡塑料瓶的环保等等。翻斗小区改名为番豆小区了。好多配音换了，尤其是小美的特别奇怪。小怪居然会说话了，而且配音感觉好奇怪。原来图图的故事发生在上海，上影专门有家公司拍的。背景里有东方明珠，浦西还真有家福康乐养老院。后面着重宣传关怀老年人。唱我的太阳那段很搞，但我很喜欢。人民公园里动画歌曲串烧气氛很好。片尾的动画主题曲真好，秒回童年，前排的小朋友们也在唱。图图，妈妈新买的巧克力呢！
总的来说按我对cc的要求……故事讲得还不错，节奏也过得去，“决战前演讲”的talk time照（cc的）例长了点但随便吧习惯了，就是比起13Yaz我更愿意嗑13TARDIS。而且cc的老毛病，人物情感的建立冒进得不得了根本不知道什么叫点到即止过犹不及，这个特辑概念是好玩的但换成以往的任何一个反派也没差就是了。不管怎么样十三宝贝来亲亲，我愿意在看到你的第一眼就告诉你我喜欢你，而且在未来也会一直喜欢下去。（哦对了张口闭口就是政治正确垃圾的人我想了想也觉得没辙那要不你报警吧）
总的来说按我对cc的要求……故事讲得还不错，节奏也过得去，“决战前演讲”的talk time照（cc的）例长了点但随便吧习惯了，就是比起13Yaz我更愿意嗑13TARDIS。而且cc的老毛病，人物情感的建立冒进得不得了根本不知道什么叫点到即止过犹不及，这个特辑概念是好玩的但换成以往的任何一个反派也没差就是了。不管怎么样十三宝贝来亲亲，我愿意在看到你的第一眼就告诉你我喜欢你，而且在未来也会一直喜欢下去。（哦对了张口闭口就是政治正确垃圾的人我想了想也觉得没辙那要不你报警吧）
是个架空世界的时间线
。。。Yaz的告白被B站删了，但这质量我也完全不想再看一遍原版。。。
片尾曲一出来我就想哭，我最爱在阳光下，蹦蹦跳跳🎵
把动画片拼贴出来就是电影了？这个电影真是给孩子看的吗？
为什么要放跟原来一样的情节 台词都不改 整个编剧是不是脑子有病恶心人 我真的是要气死了
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