With the imminent release of Rose Matefeo’s brand new romcom Starstruck on BBC Three at the end of April, this coming year marks a watershed moment in broadcasting history with most BBC Three comedy either starring, written by or created by women. BBC Three will be the first UK channel to achieve this landmark in female representation with 58% of long-form scripted comedy written by women.
Upcoming titles include Lazy Susan, Starstruck and Ellie and Natasia plus the second series of both In My Skin and Back to Life.
In addition to this, the BBC today announces four new BBC Comedy Slices for BBC Three, all of which are written by and/or star female talent: Ladybaby, Amicable, Dinosaur and Britney, which results in the majority of comedy programmes on BBC Three now being female led.
Kate Daughton, outgoing Head of Comedy at the BBC, says: “Building on the huge success of Phoebe Waller-Bridge and Daisy May Cooper, this marks a monumental achievement and is testament to the fact the most pioneering and exciting new voices in comedy are increasingly female.”
Kate leaves the Comedy Commissioning team today having made a tremendous impact overseeing a raft of female first titles. Since Kate’s arrival in 2017 she has commissioned and nurtured Fleabag, Mum, Ghosts, Gavin & Stacey: Christmas Special (2019), This Time With Alan Partridge, Back to Life, The Goes Wrong Show, Out of Her Mind, Two Doors Down, In My Skin and Man Like Mobeen. Alongside the forthcoming Witchfinder, Alma’s Not Normal and Stephen Merchant series The Offenders (w/t).
Shane Allen, Director of BBC Comedy, says: “Five years ago there were still articles asking where all the funny women were. That hoary old nonsense can finally be dispensed with once and for all. It’s a level playing field with the most vibrant and dynamic work coming through from females writers and writer performers who are elevating the art form of comedy and expanding its horizons. As for Kate Daughton, no longer will she curse at me for loud sneezing in the office. Partly because she’s leaving and mostly because we’ve not been in the office. Truly bereft; in denial that she’s off and we’re lucky to have had her for so long.”
Charlotte Moore, Chief Content Officer, says: “Kate’s impeccable taste, whip smart comedy brain and beguiling ways with talent have had a transformative impact on the comedy output in her time here. The fact that BBC Three can claim to be the first UK channel with a majority of female led and written scripted comedy is in large part down to her vision and passion for backing genre defining female creatives. She’ll be sorely missed but thankfully leaves behind a terrific legacy of shows ahead.”
愉悅感竟全是出自文戲，我也稀罕。
【3.12二星】还是有滤镜的。
复联4之后第一部像样的漫威电影，没能在大屏幕上看有点可惜。优点是作为蜘蛛侠系列（无论是漫威三部曲还是三次重启）的收束非常漂亮，哪怕不怎么熟悉前两代蜘蛛侠也能感觉到情怀加成；缺点是为了达到这个结果，剧情推动得实在……太强行了（。小蜘蛛还可以解释为孩子被养得太傻白甜不谙世事，连梅也鼓励他为了拯救刚见过一面的反派置世界于危险之中实在说不过去，那些伤亡路人因为不是超英亲友就毫无发言权是吧……
三蛛同框更像是不同成长阶段的自己，中年的托比在蜘蛛侠和彼得帕克的身份中做到了平衡，青年加菲在平行宇宙里接住挚爱了却心结，少年荷兰弟从失去至爱之人的代价中认识到能力越大责任越大，虽然他是那个自己不努力就想靠魔法解决问题的熊孩子，是同情心泛滥的圣母，但他依然是好邻居蜘蛛侠，是孤胆英雄，在全世界都忘记他时，在纽约冰冷的夜晚，跳出窗口，孤身一人，去行侠仗义。
看第一代蜘蛛侠的时候还是中学生，只能看到英雄救美人，现在看蜘蛛侠的我情感代入成：工作出现低级错误，老板生气地帮我擦屁股结果被我一口拒绝，坚持用笨拙的方式挽回客户！蜘蛛侠越来越年轻，我越来越老了
故事是很扯，但是也真能扯到一起，希望给加菲也补上三。
3.5。前一个小时蛮让人失望的，一部分「因」小题大做，一部分「果」大题小作。集结三代蜘蛛侠的人物本身是个价值连城的主意，编剧也在大框架上为汤姆设置好了一个出色的成长弧线，结果却在呈现上塞入了大量的水词、无数平平无奇的正反打以及跳跃式情绪，最终出来的成果如同在光照丰富的水果里注入糖精，失去了成为集大成之作的机会。
为了念MIT你愿意付出多少？皮特帕克：悍然搅乱三界，平行宇宙联动，自由女神像上咔咔肉搏多名反派们…嗯… 神奇博士：不懂你们纽约内卷高中生就是说
太糊弄了。一切都是为了三蛛同框，其他都是不管不顾，随便搞搞。
剧情像是用脚在写，第三部了还在小孩子上班般成长。
不懂，把5个反派和梅姨同时放在一个屋子里会发生什么难道不是显而易见的吗，这个风险大到属于保险公司都不会受理的程度，而且为了这种无聊的理由，就答应去洗脑全世界的奇异博士是不是有什么毛病？三个蜘蛛侠做生化试剂的过程敷衍离谱到让人火大。为什么不尊重反派的自由意志呢，他们不可以就是想当坏人吗，好像只有超能力是坏的一样，然后计划就是把坏的剥掉就只剩好的了，另外最开始那个咒语不是让大家忘掉蜘蛛侠是彼得帕克吗，怎么最后简略成大家忘掉彼得帕克了。
Marvel is half-dead already and need a real savior.
节奏略快，剧情有些散，口水调侃依旧多。这次故事内核有些随意，毕竟参与过对阵灭霸的宇宙大战，却在本片如此任性冲动，角色动机稍显突兀，毕竟蜘蛛侠可不是一般的高中毕业生。整体感觉不是漫威的风格，而是标准迪士尼框架，小打小闹中没有绝对坏人的温情故事。虽然那一瞬间很短暂，二代目救三代目的MJ，让我瞬间泪目。如同三代目坚持全片的cure，这次是个治愈的电影。
7/10
奇异博士纯粹充当情节转折工具人，成也魔法败也魔法，该不需要时自觉下线，该需要时准时出现。许愿请求时到底能不能先想好再施展咒语呢……
超级联动特别篇，唯有在二十年里重启过三次电影系列，才有机会实现如此有趣创意。集结五大反派、三代蜘蛛侠同框，彼此间存在的微妙差异自我吐槽。大联欢的角色足够多，互打起来足够热闹，回想每个角色的旧史都能钩沉情怀满满。
剧情没啥意思 但是托比和加菲真的很可以 十分情怀 我都没忍住欢呼 荷兰弟真的还是拍点爱情喜剧挺好 小蜘蛛不适合他 这次挺努力 以后别拍就好
主线和动机太弱智了 如果不是双蛛同台（说的只是Tobey和Andrew Tom是最差的一代）根本不值得看
剧情完全为了情怀和漫威未来多元宇宙服务，毫无逻辑，真的不是讽刺圣母傻白人吗？
只要钱到位，没有什么是同框不了的！#彼得接住格温我一个大爆哭的动作！！！！
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