The Freebie centers on Darren (Shepard) and Annie (Aselton), a young married couple with an enviable relationship built on love trust and communication. Darren and Annie still enjoy each other’s company and laugh at each other’s jokes, but, unfortunately, they can’t remember the last time they had sex. When a dinner party conversation leads to an honest discussion about the state of their love life, and when a sexy bikini photo shoot leads to crossword puzzles instead of sex, they begin to flirt with a way to spice things up. The deal: one night of freedom, no strings attached, no questions asked. Could a freebie be the cure for their ailing sex life? And will they go through with it? With a keen eye and fresh take, Aselton’s directorial debut shines with crisp storytelling and fine-tuned performances. THE Freebie is an insightful and humorous look at love, sustaining relationships , and the awkwardness of monogamy when the haze of lust has faded.
《诗》表达性比较好，《鸭先知》笑点自然玩梗流畅，相比之下沈腾的那部都有点生硬了
四个短片水平参差不齐。作为集锦片，完全放弃了结构的衔接。
《诗》最后浪漫温柔的诗歌与《鸭先知》里朝气蓬勃的上海，一边羞愧一边喜欢徐峥创造的弄堂世界。（可能有《爱情神话》的滤镜）
沈腾没学过，我算了积点口德；吴京懂得都懂，也算了别费口舌；徐峥学会抄了，算了吧这算进步；章子怡这什么里个东西？不能算给我滚粗！
徐峥那段还挺有趣的，有点布达佩斯大饭店的感觉
在片尾听到王菲唱的每一句词才能真的理解父辈的伟大
总体来看，章子怡黄轩的《诗》最佳，徐峥、吴京次之，沈腾团队的最尬。
是让平凡的我
后三个故事里都是小孩儿，所以都需要用他们的同学对他们的霸凌来展现「父辈」的欲扬先抑吗？？？
第三部分徐峥鸭先知，看得懂在讲中国第一部广告片诞生记，姑且不较真事件的真实性，当看到100'爸爸，这是送您的父亲，我还是开心地乐了。
章子怡的首次导演真的还可以，感情和表达也都足够细腻。
四个自导自演的短片
吴京：休息三秒钟，战秀半小时；章子怡：我煽情，我工整；徐峥：还是我的小资最美；沈腾：你们居然嫌我春晚不够敷衍？
徐峥部分比较好，沈腾部分比较麻花，其他部分一般
剧情套路都太经典了，不过看看还是没问题的。
《少年行》，2星半，故事老套尴尬，比吴京好在没那么重的直男味儿。
总体这种拼盘短片强凑大电影已经很无聊的了，尽管拍的完全靠豪华演员阵容，勉强都可以看，所谓灌输主题先行，根本把电影完全是当工具
抛弃自己的东西
告诉你
吴京和吴磊的《乘风》，章子怡和黄轩的《诗》，我和娃都哭惨了
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