You are never fully liberated from Auschwitz, 11 July 2016 Author: Red-125 from Upstate New York The French movie "À la vie" was shown in the U.S. with the translated title "To Life (2014)." It was written and directed by Jean-Jacques Zilbermann. The film is a Post-Holocaust saga, although it opens with scenes in Auschwitz that are truly horrific. Hélène (Julie Depardieu) and Lily (Johanna ter Steege) were friends in Auschwitz, and they managed to survive the death march from Auschwitz to Louslau together. A third friend, Rose (Suzanne Clément) was unable to walk, so they were forced to leave her behind. As it turned out, Rose survived until the liberation of Auschwitz. The three did not see each other again until 1962, when they come together for a reunion at a beachside resort in Northern France. We learn early in the movie that Lily divorced her husband after the war, and is living as a "free soul," with no permanent partner. Hélène and Rose both married concentration camp survivors. The plot of the film--based on the lives of three actual friends--revolves around their interactions during the reunion. No matter how much ice cream they eat, and how they display their new bathing suits, thoughts keep circling back to Auschwitz. They quarrel about tiny details which they remember differently. They revive horrible memories. It's clear that the reunion will change their lives, but whether the change will be for the better or for the worse is an open question. For reasons I don't understand, "To Life" caries a terrible IMDb rating of 6.1. Fortunately, we saw it as part of the excellent Rochester Jewish Film Festival. If we hadn't had "All-Event" tickets, we probably would have stayed home. This is a movie to be seen, not missed. Ignore the rating and seek it out. It's available on DVD, and it will work well on the small screen. See it!
这确实是真实现实接地气的“同性爱情（这四个字可以随意排列组合）”故事，不管是在美国还是东亚。有时候真的觉得那些被封为经典的同性片中的同性形象只是迎合部分女观众，现实中很多同也许就是本片中的样子，有欢乐有烦恼有性有爱但愁苦相对来说少一点。
经典置于当下语境的更新迭代是贴合的，真实反应社群文化生态，起底鄙视链也很好嫁接对应“阶级”。但在6月配合议题背景，宣告着甜腻湿黏夏天到来，就像双脚浸润在浪起潮落的沙滩，海风拂面般清爽。
总体及格了，但真的角色都很刻板印象！有些地方满不适的
忽略了很多求生细节，但如果拍成荒野求生那种又不太合适。唯一的萌点是狗狗们。场景也很一般，没下功夫捕捉极地的风光，毕竟它也不算纪录片。总之是部三不像，不像电影，不像电视节目，不像纪录片。
2022.06.01
很好的诠释了真挚的友情和非传统的亲情，And gay love is so much more than just sex！
虽然剪辑和剧透很一般。但是带入howie就是我本人真实写照了 现实的部分就是真实的 但是电影浪漫美好的几乎也不可能真正实现吧 愿姐妹们都能幸福 我也可以
“你会感觉在火烧岛的每一天都非常的长”
如果我的男人是“弑君者”，我不介意和他在那片寒冷不毛之地呆上几个世纪。
偶尔好笑一丢丢 剧情挺拉垮 只有两个渣男长得还可以，Oliver也没啥发挥…多一颗星给Dex。
很好的诠释了真挚的友情和非传统的亲情，And gay love is so much more than just sex！
我永远会喜欢“傲慢与偏见”这种戏剧模式。也会永远对“达西”先生心动。电影里will在酒吧里登台跳舞蛮戳我的。喜欢有教养有文化有钱有能力并且好看的人有什么错？所以我并不会觉得那些标榜自己找well education有什么好judge的。最难的不是你选择讲究还是将就，最难的是相遇。
Dramatic gay版的《傲慢与偏见》，但会引发人的思考。虽然最后以romance结尾，可他们对待感情和性的随性又让人担心能有多长久，当然也许根本他们都不在意“长久”这个问题（真是世界又有几多长久可言）。至少有Howie和Noah想法不同的人吧，有人相信长久有人享受当下，每个人遵从自己的心就好。细节处理不够好，也不浪漫，就是在赶剧情吧，只值三颗星，不过很久没看这种类型的电影了，多给一星算是鼓励吧。
是有一些cliche的，不过也好久没有看过lgbt主题的东西啦，给一些鼓励分。
你们骂吧，我对gay喜剧要求不高，下班回家窝在沙发上看还挺有趣的，不费脑子，还能被逗笑，还要啥自行车？ 还让我联想到，毕业旅行去厦门，丢下好兄弟出去找小哥哥，小哥哥前任喝醉躺在路边，我还帮他把前任搬到酒店，然后他前任在床上躺尸，我俩在卫生间激情，然后被他前任砸门，哈哈哈，太荒唐了。。。
和看傲慢与偏见的时候一样 翻了好几个白眼 we don’t need a white guy to save us
事实证明，你简奶奶还是你简奶奶，《傲慢与偏见》这个故事讲了这么多遍，依然好看。只是这部电影除了这个框架就啥也不剩了。
还真是通讯录版『傲慢与偏见』，真的在为LGBT+群体定制，好接地气，好喜欢。
是部有趣的电影。
有人只想追寻自由，有人却要寻求真爱，虽然最后两位男主都找寻到了多金帅气的真爱，有那么些许不真实。
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