"Veteran experimental filmmakers Danielle Huillet and Jean-Marie Straub helmed this unusual adaptation of a novel by Elio Vittorini. Focused on the triumphs and failures of a group of laborers and farm hands who pooled their resources to operate an alternative collective farm after the end of World War II, Operai, Contadini features a cast of 12 actors who read aloud from Vittorini's book for the duration of the film, either reciting from memory or using a clearly visible script. Hardly designed to be a crowd pleaser, Operai, Contadini proved to be controversial among the audiences for its showings at the 2001 Cannes Film Festival, where it was screened as part of the Directors' Fortnight series." ~ Mark Deming, All Movie Guide
"The group makes up a primitive community which seeks to erase not only the distress created by the war but also the hardships of life and hunger, and to protect them from violence, misery and fear. Amid the ruins of this post-war period, the characters build and invent a rapport both in their professional and daily lives between themselves, the sexes, generations, diverse social and geographical origins, and antagonistic political camps.
The group maintains a 'register', a kind of diary, as if it were entering the minutes of an inquiry or a trial." -Steve Grayson
"my favorite Straub-Huillet films are Too Early, Too Late and Operai, contadini (2001), both color landscape films with especially acute senses of place as well as of nature in all its harsh beauty." - Jonathan Rosenbaum
赵震雄的行头坐骑一点不像警察，特像个银行高管。朴熙顺戏份太少啦！整场戏绕来绕去，绕来绕去，莫名其妙的就结束了……
学校班级里的人一个个势利的
也刚好看完赵震雄的小姐 简直是个变态老头 这里又是正直的警察 一如既往的和信号人设一样
可以预见的剧情，不太好记的人物名，但灰色地带的警察那种被诱惑和正义左右，被黑白两边误解猜忌，演得很好，这感觉就像ICAC查阿sir一样，有时只有加入坏人才能惩治更极恶之人吧。韩国人和HK还是挺感拍这种黑幕题材的，勇气可嘉。
看在小崔和我朴叔的份上多给一星。
冲着小崔看的电影。剧情正常，演技在线，是可以和朋友在一起轻松看看的动作片。
是非，黑白，善恶的对立，灰色地带的讨论，不算韩国很优秀的电影，解解乏还不错
利用罐头小人考试作弊这个立意不行啊
就是说接近两个小时看累了明白我意思吧 崔宇植赶紧给我安排新电影
朴熙顺的声音猛一听跟安内相一样，光听声音还真分不出来
中规中矩，总是为了正义。然而程序正义才是真正正义，此片也只有韩国才拍的出。
老实说，没看太懂。太多细节没做解释，不知道是故意的还是无关紧要的，总之，有点混乱。
总体拍的还是不错的。不过我是原著党，一般不喜欢修改原著，不过完全忠实原著也确实不好拍。看的过程中，有一个女熊孩子，全程不停地大声描述剧情和说话，全场就听她一个人叨叨叨了，我开始还以为没家长，散场一看家长就在旁边，根本不管。真是有人生没人教。散场全过程，那个母亲一直低头刷手机不抬头，本来想瞪她一眼，可人家不给目光，看来是知道不管孩子会招人讨厌的，但是必须这样做，就是想培养个小霸王出来。
特效很一般，对儿童片本不应苛求，这电影前后两部分的故事是完全割裂的。
老实说，没看太懂。太多细节没做解释，不知道是故意的还是无关紧要的，总之，有点混乱。
赵震雄一本正经、严肃的时候也是满有味道的。以前看他演的角色都是嘻嘻哈哈不太正经不太绅士的样子。
随大荧幕回到上世纪八九十年代，《罐头小人》的布景确实很用心。只是在特效和画质上，还有非常非常大的提升空间……
没有水花起伏 二分给电影本身 一分给崔宇植
好警察？坏警察？游走在灰色地带的警察，为了目的不择手段与原则的警察。
集体作弊，道德绑架，强行煽情。
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